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Sarah Roseman (b. 1999) is a Canadian designer based in Eindhoven, The Netherlands and educated at Design Academy Eindhoven. She is passionate about creating a more beautiful world through materiality and works on the boundary of textile and object. Through her playful and imaginative pieces, she aims to evoke a sense of joy. Her works carry unique personality and appear to come alive in a world of their own. Sarah works as a designer and material researcher and draws on her archives of new and reclaimed materials to lead the creation of new work.
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Sarah Roseman


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The Reef Series
Knitted Shelves and Vessels Inspired by Underwater Life
2022

The Reef Series combines an innovative exploration of textile materiality with a refreshing colour scheme and warm tactility. The unique knitting and casting process brings the pieces to life, evocative of coral reefs and underwater life. Due to the movement of the textile during the casting process, each shelfflows in a unique way. The flocked nylon coating provides acoustic dampening properties, allowing the shelves to function as acoustic panels.

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Lalalamp Lavender Large
Floor lamp in collaboration with Barry Llewellyn
2022

After two years, Barry Llewellyn and I decided to revisit Lalalamp. The piece incorporates reclaimed foam rope, a flocked coating, tiled ceramic lampshade and casted metal touch switch.

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Molten Memories
Graduation Design Academy Eindhoven
Large Scale Floor Piece from Found Materials
2021

How are memories shaped and stored? The Molten Memories floor piece embodies this from a toddlers perspective, from a level close to the ground, where fascination lies in every detail Discarded materials from every part of the house are re-imagined to form a living landscape that reminds us of our most playful days. Remember how the couch cushions were like mountains to climb? How creaking floorboards seemed to come alive? What the relief of cool tiles felt like or the tickling grass between garden stones? Just like memories, the sections melt together and the lines between fact and fiction start to blur.

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Reality and fiction becomes blurred

Boulders become mountains

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Tile becomes river stones

The world becomes alive once again

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Process of creating hand tufted panels

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Soft Silica
Graduation Design Academy Eindhoven
Produced in the workshops of Make Eindhoven
2021

Soft Silica is a new expression for glass that lies on the boundary between textile and glasswork. The material is brought to life and appears to be frozen in time, capturing the way glass melts in a static object through with the tactility of a textile. The project currently consists of glass tapestries and sculptural vessels as well as an extensive and ever growing archive of samples. It is a continuing glass research that evolves and develops with each iteration, to find future possibilities and applications for this exciting new material.

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Glass Tapestry

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Glass Kiln at Make Eindhoven

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Glass Vessel

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Test for using glass as wiring for a lightsource













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Fluid Furniture
Furniture made from curbside couches
In collaboration with Barry Llewellyn
2020

Fluid furniture is a research into the new horizon of the material world. How will our approach to material change once we no longer have virgin material?
Fluid Furniture comprises of Lalalamp and Chchchair which are made entirely from discarded couches. The process was carried out in quarantine as the domestic space became a furniture transformation factory. From weaving, melting, rope making and sculpting, Barry Llewellyn and I utilised all the ingredients found in curbside couches to form our creations.

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Quarantine Production Space

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Rope making from Upholstery Textile

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Deconstructed Couch materials













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Molten Memories Continuing Series
Hand tufted Wall Tapestries made from combining ceramic, textile, resin and wood
2022

An expansion of the Molten Memories carpet series, this trio of wall pieces relate to the temporal, sometimes fantastical nature of childhood memory in domestic space. Custom glazes merge into resin and tufting grows between the cracks as ceramic, wood and textile marry together, similar to the way we remember places from the past.

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Crystaline Tundra

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Forested Hill

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